About

Diapause: a period of physiologically enforced dormancy between periods of activity.

"the eggs diapause over winter, and development resumes after the spring thaw"

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Chris Kannen was born in Cleveland, OH and earned his BFA from the University of Dayton and his MFA from Hunter College in New York City. Chris has been an artist-in-residence at Samband Íslenskra Myndlistarmanna (SÍM), Reykjavik, Iceland, and in the McMurdo Dry Valleys of Antarctica as the recipient of a National Science Foundation Antarctic Artist and Writer Award. He lives in Denver and works in Denver and throughout the local landscape.

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I make paintings from my personal experience of nature - smaller paintings from direct observation in the plein air tradition, and larger-scale paintings that explore details of these observations. The work on this website is organized into groups centered on a specific time and place, suggested by the title of each group. They veer off from there.

You can reach me at cmkannen@gmail.com, on Instagram @chriskannen, or through the form below.

Thanks for visiting!


Contact


CV

born 1977 in Cleveland, OH

based in Denver, CO

EDUCATION

  • MFA, Hunter College, New York, NY, 2001

  • BFA, University of Dayton, Dayton, OH, 1999

RESIDENCIES

  • Antarctic Artist and Writer Award, U.S. National Science Foundation, 2008

  • Artist In Residence, Samband Islenskra Myndlistarmanna, Reykjavik, Iceland, 2004

  • Graf Travel Grant, Hunter College Art Department, 2001

SOLO EXHIBITIONS

  • New Artwork from Antarctica, Studio D Gallery, University of Dayton, OH, 2008

  • After the Arctic, PH Gallery, New York, NY, 2005

  • Christopher Kannen, B. Deemer Gallery, Louisville, KY, 2000

GROUP EXHIBITIONS

  • Zero Art Fair, Elizaville, NY, 2024

  • Mudd Club, Lane Meyer Projects, Denver, CO, 2024

  • The Object of Memory, two-person show with Lauren Eisen, Curfman Gallery, Colorado State University, Fort Collins, CO, 2023

  • Arm’s Length, Georgia, Denver, CO, 2023

  • Traveling Exhibition, Dairy Arts Center, Boulder, CO, 2022

  • The Boulder We Love, R Gallery, Boulder, CO, 2021

  • Journeys: Travel Photography, Black Box Gallery, Portland, OR (juried by artist Ethan Jackson) (catalogue), 2013

  • Screening, H20 Film on Water, Emory University Visual Arts Building, Atlanta, GA, 2012

  • H2O Film on Water, Newport Mill, Newport, NH (juried by Denise Markonish, curator, MassMOCA, North Adams, MA), 2012

  • Topos, Maynard Art Center, Maynard, MA, 2009

  • Sasquatch Society, Sixtyseven Gallery, New York, NY, 2005

  • Chris Kannen, Eric Torborg, PH Gallery, New York, NY, 2004

  • Sojourn, PH Gallery, New York, NY, 2003

  • Carefully Drawn, Storefront 1838, New York, NY, 2002

  • Alumni Exhibition, Rike Center Gallery, Dayton, OH, 2001

ARTIST TALKS

  • Art Department, Colorado State University, Fort Collins, CO, 2013

  • Art and Environment program, School of Art and Design, West Virginia University, Morgantown, WV, 2012

  • Northern Essex Community College, Haverhill, MA, 2009

  • West Virginia University, Morgantown, WV, 2009

  • Department of Visual Arts, University of Dayton, Dayton, OH, 2008

  • Public interview, “Where Have You Been? with Jeff Stark,” Bluestockings Books, New York, NY, 2008

  • Artist talk, Robert Gober studio, New York, NY, 2008

  • Artist talk, Design Trust for Public Space, New York, NY, 2008

  • Artist talk, Sunday Science Lecture Series, McMurdo Station, Antarctica, 2008

PUBLICATIONS AS AUTHOR

  • Whatever Moves or Makes Noise. Self-published photobook, 2018 [LINK TO PURCHASE]

  • “Whatever Moves or Makes Noise,” ARID Journal, Spring/Summer 2013, Volume 2, Issue 1.

  • Artist blog, “Parhelion Pemmican Pack Ice Pancake”, December 19, 2007—April 1, 2009.

PRESS

  • Alan Taylor, “Recent Scenes from Antarctica”, In Focus, The Atlantic, March 4, 2011.

  • Ransom Riggs, “Vacation to Mars: Antarctica’s Dry Valleys”, mental_floss, February 3, 2010.

  • James Wagner, “Sasquatch Society at Sixtyseven,” jameswagner.com, August 28, 2005, 7:05 PM.

  • Ken Johnson, “Art Guide,” The New York Times, September 12, 19, 2003.


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